• Kecessa@sh.itjust.works
    link
    fedilink
    arrow-up
    133
    arrow-down
    1
    ·
    edit-2
    6 months ago

    For those like me who don’t listen to Alanis

    You oughta know:

    I want you to know

    That I’m happy for you

    I wish nothing, but

    The best for you both

    An older version of me

    Is she perverted like me?

    Would she go down on you in a theatre?

    Does she speak eloquently?

    And would she have your baby?

    I’m sure she’d make a really excellent mother

    'Cause the love that you gave that we made

    Wasn’t able to make it enough for you to be open wide

    No, and every time you speak her name

    Does she know how you told

    Me you’d hold me until you died?

    'Til you died, but you’re still alive

    And I’m here, to remind you

    Of the mess you left when you went away

    It’s not fair, to deny me

    Of the cross I bear that you gave to me

    You, you, you oughta know

    You seem very well

    Things look peaceful

    I’m not quite as well

    I thought you should know

    Did you forget about me Mr. Duplicity?

    I hate to bug you in the middle of dinner

    But it was a slap in the face

    How quickly I was replaced

    And are you thinking of me when you fuck her

    'Cause the love that you gave that we made

    Wasn’t able to make it enough for you to be open wide

    No, and every time you speak her name

    Does she know how you told me

    You’d hold me until you died?

    'Til you died, but you’re still alive

    And I’m here, to remind you

    Of the mess you left when you went away

    It’s not fair, to deny me

    Of the cross I bear that you gave to me

    You, you, you oughta know

    'Cause the joke that you laid in the bed that was me

    And I’m not gonna fade as soon as you close your eyes

    And you know it

    And every time I scratch my nails

    Down someone else’s back, I hope you feel it

    Now can you feel it?

    'Cause I’m here, to remind you

    Of the mess you left when you went away

    It’s not fair to deny me

    Of the cross I bear that you gave to me

    You, you, you oughta know

    Why I’m here, to remind you

    Of the mess you left when you went away

    It’s not fair, to deny me

    Of the cross I bear that you gave to me

    You, you, you oughta know

    • Rai@lemmy.dbzer0.com
      link
      fedilink
      arrow-up
      53
      ·
      5 months ago

      I’ve heard this song a thousand times growing up and never actually listened to the words. Wild. Good stuff.

      • Glytch@lemmy.world
        link
        fedilink
        arrow-up
        50
        ·
        5 months ago

        Important note: she’s singing to Dave Coulier, Uncle Joey from Full house, who used Alanis to cheat on his wife.

      • MacN'Cheezus@lemmy.today
        link
        fedilink
        English
        arrow-up
        14
        ·
        edit-2
        5 months ago

        Sometimes I wonder how many millennials have attachment disorders simply because we grew up with this song being pretty much inescapable for almost a decade.

        Like, yeah, she’s talented but has anyone ever studied what it does to a young mind when you grow up in a culture that blasts its relationship drama in song format 24/7 everywhere from the car radio to the supermarket, followed by The Offspring’s The Kids Aren’t Alright and Linkin Park’s Crawling?

        In chronological order, it reads like a descent into madness if you ask me.

        • feedum_sneedson@lemmy.world
          link
          fedilink
          arrow-up
          23
          ·
          5 months ago

          I’m going to go out on a limb and say none. Being abandoned by my parents gave me attachment issues, this is just a song.

          • MacN'Cheezus@lemmy.today
            link
            fedilink
            English
            arrow-up
            8
            arrow-down
            1
            ·
            5 months ago

            Being abandoned into a world that processes its relationship drama for profit by playing it 24/7 in all public areas

        • GregorGizeh@lemmy.zip
          link
          fedilink
          arrow-up
          3
          ·
          edit-2
          5 months ago

          People outside the anglosphere were/are being blasted with American pop music just the same, with only a fraction of them understanding anything beyond the hook of any song. And those are simarly fucked up, so my guess is the effect is zero.

  • quilan@lemmy.world
    link
    fedilink
    arrow-up
    39
    ·
    6 months ago

    This song was the absolute bomb to play on drums in Rock Band. I really loved the snare / bass drum flow with the hats.

  • JasonDJ@lemmy.zip
    link
    fedilink
    arrow-up
    27
    arrow-down
    1
    ·
    edit-2
    6 months ago

    Saw Alanis Morisette on Austin City Limits recently. She’s still got it. And the Jagged Little Pill musical was amazing. Definitely what some would consider very “woke”, but Broadway doesn’t usually attract the anti-woke crowd.

    Remind me what Uncle Joey is doing now?

    • Transporter Room 3@startrek.website
      link
      fedilink
      arrow-up
      35
      ·
      edit-2
      6 months ago

      Broadway doesn’t usually attract the anti-woke crowd.

      The absolute shit show that occurred when my city’s local theater group (of which I am a part) decided to hold auditions for Rent…

      People who had been happily performing side by side with openly gay and trans cast members were suddenly pulling out bibles to quote scripture during meetings and getting “prayer circles” to surround the theater when they rehearsed…

      Many friendships ended that year. Good riddance to bad rubbish.

      Edit: I agree with you, this just gave me a chuckle due to my own personal experience with a small number of people that are not representative of a whole.

        • Transporter Room 3@startrek.website
          link
          fedilink
          arrow-up
          7
          ·
          5 months ago

          I’m afraid so.

          Edit response: lemmy doesn’t strike me as a place for tons of people knowing lines or lyrics to musicals, and isn’t quite big enough for a lot of outliers… Could be wrong though. Although even if I didn’t know all the words by heart, I’d have just taken your question as genuine concern with my mental state, given the people who were around me.

        • Transporter Room 3@startrek.website
          link
          fedilink
          arrow-up
          4
          ·
          5 months ago

          Bible belt city in the US, but in a purple area.

          They’re oh so magnanimously okay with the gays when they’r not being “in your face about it” (aka literally just showing as much affection for a partner as any straight couple, or mentioning it in passing, or doing anything that could call attention to them being gay/trans/etc)

          But having a musical that revolves around a trans woman, a gay couple, and involves AIDS? That was simply too much for their (self)righteous sensibilities, and must be protested!

          I mean, they could have just not participated, kept their mouths shut, and ignored everything about it, but at least now we know who the secret garbage people are.

        • Match!!@pawb.social
          link
          fedilink
          English
          arrow-up
          5
          arrow-down
          1
          ·
          5 months ago

          Same reason why some gamers are okay with women and people of color being side characters but snap when they’re in the leading role

          • Transporter Room 3@startrek.website
            link
            fedilink
            arrow-up
            3
            ·
            5 months ago

            But everyone knows a wamen cannot into strength!

            Black people didn’t exist until the 1700s!

            STOP EMJOYING THINGS I DON’T LIKE

            Or something like that. Almost every argument for fantasy-type settings where “that character wouldn’t be black/is described as X” but honestly if it doesn’t affect the story, who gives a shit.

            Yeah, sure. Plenty of characters are described in books as “alabaster/cream/other word for pasty ass white” but not once does it come up in the story. Nobody is racist against other colors. Slavery is for everyone including royalty. So why bother making a fuss about skin color or hair color when there are MOTHERFUCKING DRAGONS FLYING AROUND. If you’re looking for realism, that wyvern fucked off a long time ago.

            • Zagorath@aussie.zone
              link
              fedilink
              English
              arrow-up
              3
              ·
              5 months ago

              Almost every argument for fantasy-type settings where “that character wouldn’t be black/is described as X” but honestly if it doesn’t affect the story

              What shits me is that this so often happens with adaptations, and when the adaptation that did this ends up terrible they end up claiming it’s proof they were right all along. As though the inclusion of a minority character is somehow the cause of terrible writing, set/prop/costume design, effects, acting (including from the cishet white actors), and direction. No, it couldn’t possibly be because most adaptations are terrible regardless, it must be tHe gAYs.

      • Match!!@pawb.social
        link
        fedilink
        English
        arrow-up
        1
        arrow-down
        1
        ·
        5 months ago

        They should’ve done something good and Christian, like “Angels in America”

  • RebekahWSD@lemmy.world
    link
    fedilink
    arrow-up
    20
    ·
    5 months ago

    My first thought, when hearing about Alanis Morissette is, “Oh! God!”

    And then immediately after that, “Maybe I should go play some skeeball.”