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  • King Mongoose@lemmy.filmOPMtoMovieSnob@lemmy.filmHe's not wrong
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    1 year ago

    If your end goal is to make a tight knit drama full of people in rooms talking to each other, well, The Godfather is over there ->

    FTFY. IIRC (so many acronyms) your sentence above, whether you knew it or not, is almost verbatim Coppola discussing his The Godfather.

    I don’t think Scorsese, of all people, forgets movie history. I think someone who made a film about Méliès being forgotten in his own time isn’t someone who easily forgets the technological advances you’ve mentioned (you’ve forgotten sound 😝).

    To do THAT, I NEED a spectacle. I need to see something that demands I see it right away, in a theatrical environment. It needs to be a theme park ride.

    Here’s where we part company. First Man wasn’t a “theme park ride” and yet needs to be seen on “the big screen.” Eraserhead, while potent even on a smaller screen, needs to be seen on “the big screen.” 2001: A Space Odyssey. D.E. Pennebaker’s Ziggy Stardust and The Spiders From Mars. Blazing Saddles. Lawrence of Arabia. Wouldn’t you agree? Sure, I’ll admit I’m cherry-picking but there are also many others I’m forgetting about and none of them are formulaic, soulless examples of moviemaking calculated just to press the dopamine drip button.

    One of these days, we’ll get into Cameron’s Avatar. Another time, not today.

    I realise technology plays an enormous role in cinema. It drives cinema. But I don’t understand why you (and the general moviegoing public) insist on the junk food being served for twenty years now and the bigger the portions the better. Movies need to be grand (even when they’re small), not merely big. It’s still the same ham sandwich every time. Adding more and more mustard doesn’t make it better nor different. FRANCHISE MOVIES ARE LIKE ALWAYS TYPING EVERYTHING IN CAPS. AND YOU CAN’T TYPE ANY BIGGER THAN THIS.

    Always a pleasure, Dr Lund! 🤝