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Joined 1 year ago
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Cake day: June 27th, 2023

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  • The New Yorker gamely tries to find some merit, any at all in the writings of Dimes Square darling Honor Levy. For example:

    In the story “Little Lock,” which portrays the emotional toll of having to always make these calculations, the narrator introduces herself as a “brat” and confesses that she can’t resist spilling her secrets, which she defines as “my most shameful thoughts,” and also as “sacred and special.”

    I’m really scraping the bottom of the barrel for extremely online ways to express the dull thud of banality here. “So profound, very wow”? “You mean it’s all shit? —Always has been.”

    She mixes provocation with needy propitiation

    Right-click thesaurus to the rescue!

    But the narrator’s shameful thoughts, which are supposed to set her apart, feel painfully ordinary. The story, like many of Levy’s stories, is too hermetically sealed in its own self-absorption to understand when it is expressing a universal experience. Elsewhere, the book’s solipsism renders it unintelligible, overly delighted by the music of its own style—the drama of its own specialness—and unable to provide needed context.

    So, it’s bad. Are you incapable of admitting when something is just bad?






  • When you don’t have anything new, use brute force. Just as GPT-4 was eight instances of GPT-3 in a trenchcoat, o1 is GPT-4o, but running each query multiple times and evaluating the results. o1 even says “Thought for [number] seconds” so you can be impressed how hard it’s “thinking.”.

    This “thinking” costs money. o1 increases accuracy by taking much longer for everything, so it costs developers three to four times as much per token as GPT-4o.

    Because the industry wasn’t doing enough climate damage already… Let’s quadruple the carbon we shit into the air!












  • Another thing I turned up and that I need to post here so I can close that browser tab and expunge the stain from my being: Yud’s advice about awesome characters.

    I find that fiction writing in general is easier for me when the characters I’m working with are awesome.

    The important thing for any writer is to never challenge oneself. The Path of Least Resistance™!

    The most important lesson I learned from reading Shinji and Warhammer 40K

    What is the superlative of “read a second book”?

    Awesome characters are just more fun to write about, more fun to read, and you’re rarely at a loss to figure out how they can react in a story-suitable way to any situation you throw at them.

    “My imagination has not yet descended.”

    Let’s say the cognitive skill you intend to convey to your readers (you’re going to put the readers through vicarious experiences that make them stronger, right? no? why are you bothering to write?)

    In college, I wrote a sonnet to a young woman in the afternoon and joined her in a threesome that night.

    You’ve set yourself up to start with a weaksauce non-awesome character. Your premise requires that she be weak, and break down and cry.

    “Can’t I show her developing into someone who isn’t weak?" No, because I stopped reading on the first page. You haven’t given me anyone I want to sympathize with, and unless I have some special reason to trust you, I don’t know she’s going to be awesome later.

    Holding fast through the pain induced by the rank superficiality, we might just find a lesson here. Many fans of Harry Potter have had to cope, in their own personal ways, with the stories aging badly or becoming difficult to enjoy. But nothing that Rowling does can perturb Yudkowsky, because he held the stories in contempt all along.