No, don’t tax them. Take away everything they own, deny them basic comforts, see how they like it.

Haven’t ever been under 0, so while I am partial to cold weather, I cannot offer an answer beyond a guess, that I might be more comfortable still at -13 than at 40, considering I’d just need to put a couple more layers on.

I can layer up if its cold, windy, and rainy. Walking helps move blood around and warm up. You can’t escape heat unless you got AC on, or continuously splash water around your body and sit in front of a fan. Even then, if its hot and moist, that won’t help (wet bulb).

I live in a spot where temps range between 19-39 degrees in the daytime, swinging from dry to humid every now and again.

I’ll take 1-9 C all day, every day. Despite living here my entire life, temps above 25 are uncomfortable for me. I’ve discovered that temps between 5 and 14 degrees for me are ideal.

Illustration. It isn’t a thing where I’m at, and settled for graphic design (which is still barely a thing here). After graduation I applied for scholarships abroad, and got accepted on a full ride in a private university in Hamburg for illustration.

Weeks before I was supposed to leave I got cold feet and looked up all the info I could about the university. Turns out it’s a scam, the degree’s worth fuck all, and the university seemed to have this MO of recruiting aspiring legal migrants from third world countries (like myself) into its curriculum, voiding their scholarship, offering shit education, and charging exorbitant rates until they leave or graduate.

I was despondent for months since this seemed to be my big break after a pretty tough few months. Then AI image generation took off.

I’m okay at illustrating characters, but it’s immediately obvious I’ve learnt by myself and have done very little diligent study on the topic. My inexperience, how prevalent AI images are, and the uphill battle that gaining clients is, are keeping me away from trying again.

Zgrok is a good alternative to Tailscale. I used tailscale to run a one-shot through Foundry and everything worked perfectly, however, on the follow-up session tailscale refused to connect. Wasn’t sure if it was on my end so I tried talking w people online and found no solution.

Tried some other services (tunnelmole was one of em) and the only one that worked exactly as I wanted was Zgrok.

Not arrested, dealt with. There’s others like him but there’d be one fewer.

ADHD, GAD, SzPD, and depression. ADHD kicks my ass the most, since the medication most people take is illegal here. Depression and ADHD combined make it really hard to start projects, and GAD makes it really hard to keep one going.

The only war is class war

My nickname among my friends is derived from the word wikipedia, because I often have read something related to the conversational topic.

Doesn’t mean I remember everything, or anything for that matter. Most of the time I just remember that I read about it somewhere, and quickly read up again, barring a handful of topics (that have been hyperfixations in the past).

A light roast from Marcala, Honduras. It’s pretty good, but a bit finnicky on my espresso. Either that, or I’m not as good with it as I thought.

Oh I’ve taken that into account, lol. Things will happen in the story even if the players aren’t there to see it, because of faction Clocks (though those will tick if the players do things in quests that would benefit any of the three factions, not through time). I think I got my bases covered with enough brush strokes that I can spin up some bullshit to bring it all back to the main story if necessary.

And yeah, I see your point. I’m doing that, though, lol. Besides the enemy mobs which I’ll need for/if they decide to go a random cave or something, I’m only doing stuff I’ll need in the first 5 sessions. Maps, characters, and narrative aid artwork that might/will be used afterwards will be done then. Most of the stuff already done will be reused later (unless the players decide to start killing people out of the blue), but they might see all of that stuff early on, barring one or two characters.

This. I like DMing for ttrpgs, and I love drawing and painting. You’d think I’d be extatic about prepping homebrew and assets for a digitally run Savage Worlds campaign set Tamriel (or a weird homebrew mix of cyberpunk and vampire the masquerade), the truth is I’m more than just a bit burned out.

I want to start the campaign now, and I’ve had the story and characters ready to go for a month now, but prepping all those art assets has been tedious. So far I’ve done about 20+ tokens, 5+ maps, 15 character portraits, and some 10 general purpose pieces to aid narration. I got about 7 tokens left and I’m done, and I can barely get one out a day, every other day.

The worst thing is I have a very clear idea of what I want the campaign to look like and I’ve already made concessions by using RPG Engine to design my maps instead of doing it all by hand and just retouching it later. I don’t want to make any more concessions, so I’m SOL.

The nothing buds are pretty good and if I’m not wrong I got them under 50.

Yeah, I’m multilingual from a hispanic country, and due to job experience and the media I consume I’ve ended up with a real mess of both accent and lexicon. Nowadays, most of my english and italian interactions are limited to online gaming, and half the time people catch on to my accent, and guess I’m either quebecois, german, or french, despite not being fluent in any of those or ever spending more than a week in any of those countries.

In day to day life, I mix all three (spanish, english, and italian), using the first word that comes to mind. It feels really jarring trying to convey a complete idea in just spanish, and end up translating foreign words in my head. It’s faster for me now to communicate in english than it is in spanish.

Yeah. Maybe a Mooncrash type of DLC could work, with M being the BBeG and brushing off the roguelite gameplay as fae shenanigans, but it wouldn’t feel natural to BG3s established gameplay loop.

Plus, bonus content means more XP and levels expected, and post level 13 gameplay (at least in DnD) is a slog. The game becomes increasingly more about a battle of attrition, characters become bloated, and the narrative would be a victim to power creep.

We’d either face any of those threats before the finale, which would throw the intended level for the final fight out of wack (plus hurt the already imperfect pacing of act III, or derail the better managed pacing of act I and II), or after the finale, which would incur the inherent issues in high level dnd gameplay.

BG3 is one of my favourite games ever, if not my favourite, and it does not need any more content. I imagine that the whole clusterfuck within WotC and Hasbro took the wind out of Larian’s sails about developing for the DnD IP. I’d rather keep what we have, which is already great, than taint it with a cashgrab, as you say.

I’d rather Larian work on what excites them than what already works well.

That’s about it. Clients often have an idea of what they want, inspired by stuff they’ve seen already. It’s just safer to request stuff that already works than innovate. So designers might have more interesting and readable ideas but they end up doing what the client wants anyway. Good way to see this is designer’s online portfolios.

A good client provides some guidance but offers a fair amount of freedom in regards to exploration, the average client has an idea of what they want already, and the worst kind of client tells you what they want from the go (because most often it just won’t work).

I see your point, but… I don’t know. Nowadays, attention is a prime commodity. The easier something is to consume, the more people it will reach. And while that doesn’t matter as much in entertainment media, it has to be considered when designing for more important topics. Thus, media has to be designed to be read efficiently.

I don’t love how media is designed nowadays, precisely because it is monotonous and boring often, but I don’t long for the days when I had to look an entire page over for the bit of information I’m after. A balance can be struck through clear layout design and following trends that respect hierarchy. Maximalism does neither.

Though, I feel like I have to differentiate artistic media from informative media. Art can go bonkers, in fact art should challenge established tropes, but design should prioritize function over form, keeping in mind there is some room for aesthetics in there.

Again, I’m approaching this from an efficiency and ease of use point of view.

I’m a graphic designer, so maximalism and antidesign. It’s taking a bit to become more than just a trend, but it’s getting there. I understand minimalism is getting stale, but the answer is not going for something hard to read. Even with proper hierarchy the sheer clash of colors, sizes, etc., will lead to a jumbled mess. Form follows function to make life easier.

A balance must be struck between maximalism and minimalism.

This is so relatable. I attended a school that gave its students a ton (and I mean a ton) of homework, because idle hands are the devil’s workshop (ugh), and I struggled the moment I couldn’t coast through without studying. Then went on to a college with a very similar work structure, and the same thing happened, except this time I quit after failing an entire trimester’s worth of classes. Some time after I enrolled into a different college that had a more hands on approach and I aced nearly every class.

Every trimester we’d have to enroll to a class which would have only one assignment, and you’d start working on it on day 1, and present results on the final day before a panel. The workload was much greater, I had less guidance, and it lead to a more trial and error approach than a step by step guide, but I’d never felt more comfortable or happier in an academic setting. Previously I had thought school just wasn’t for me but it was all in the approach. I just can’t do piecemeal busy work.