Body: espresso-tinted, Odie’s oil finish over wire-brushed, relic’ed one-piece ultra light Roasted swamp ash (not brushed in sound-transmitting parts), ordered from Warmoth without edge bevel and added by hand (52 spec Tele edge bevel), neck pocket modified for spoke wheel truss rod
Neck: ordered from Warmoth unfinished, super chunky “fatback” profile, vintage style roasted quartersawn Maple with 6100 Stainless frets, hand-made Tusq compensated nut, added spoke-wheel truss rod, 10.5” straight radius, finished with Odie’s Oil with very slight espresso tint
Hardware: Gotoh 510 21:1 Tuners (SGL510Z MG-T XN EL5 Low E & high E: 21.5mm, A & B strings: 20mm, D & G strings: 18.5mm ), Schroeder Bridge, custom relic’d pick guard, Fender 64 Reissue pickup set (body-mount neck pickup), kinman treble bleed, 4-way switching, Dunlop strap locks, vintage-style countersunk ferrules, relic Fender neck plate with Titanium screws (why not?! 🤷🏻♂️), relic electro socket, espresso-tinted strap, dragon-skin super deep knurled relic’d knobs, relic’d control plate, CTS pots
What metal is the pick guard and how did you relic it? I’m strongly considering a copper pick guard for my partscaster and trying out a variety of verdigris techniques on it.