GRRM is worried AI will finish writing his books before him
We could teach ducks to write and they will finish before him.
Would you rather it was finished by 100 duck sized George RR Martins or a George RR Martin sized duck?
That’s a big duck.
Big duck energy
Get those 100 duck sized GRRM’s a bunch of mini keyboards and they’ll get it done 100 times faster
0x100 = 0
And then everyone would bitch because it wasn’t good, like what happend with the last seasons of GoT.
Idk, my neighbor had a duck. It’d probably have put more effort into the ending than the show writers did
Another moment in A Dream of Spring involved Bran receiving a vision that The Wall was not just a physical barrier, but a mystical shield holding back the Night King’s power. “This twist fits well within the universe and raises tension for the remainder of the story,” Swayne remarks.
That’s just a popular fan theory that has been discussed countless times on various forums.
I guess we can conclude that ChatGPT has been reading a lot of reddit.
Absolutely it has been. That’s what sparked the whole Reddit API debacle. Reddit wants that sweet cash stream from machine learning trawling it’s data.
Well, assuming it wasn’t all nuked over the past few months, the fan theory stuff on Reddit was probably a pretty good training dataset.
He still hasnt released the TWOW yet? Srsly, i feel sad for his fanbase.
Most of us have reached the Acceptance stage now.
Actually getting a good ending to the ASOIAF after GRRM dies is gonna be one of the big turning points that transforms everyone’s opinion on AI.
It’s gonna be like fan edits for movies. People will debate which is the better version of the story. The only person hurt by this is George, who will be dead and was never going to finish the books anyways.
Since he will never finish the next book, then that’s very likely given infinite time :)
I mean… AGOT might be in the public domain before TWOW comes out.
The authors added that OpenAI’s LLMs could result in derivative work “that is based on, mimics, summarizes, or paraphrases” their books, which could harm their market.
Ok, so why not wait until those hypothetical violations occur and then sue?
People can do that too, are they gonna sue all people?
I have nipples Greg, could you sue me?
Because the outcome of suing first is to address the potential outcome of what could happen based on what OenAI is doing right now. Kind of like how safety regulations are intended to prevent future problems based on what has happened previously, but expanded similar potential dangers instead of waiting for each exact scenario to happen.
But if OpenAI cannot legally be inspired by your work, the implication is humans can’t either.
It’s not how copyright works. Transformative work is transformative.
The way I’ve heard it described: If I check out a home repair book and use that knowledge to do some handy-man work on the side, do I owe the publisher a cut of my profits?
If, without asking for permission, 1 person used my work to learn from it and taught themself to replicate it I’d be honoured. If somebody is teaching a class full of people that, I’d have objections. So when a company is training a machine to do that very same thing, and will be able to do that thousands of time per second, again, without asking for permission first, I’d be pissed.
That’s a terrible analogy.
Reading a book designed to instruct you how to do tasks is not the same thing as training generative AI with novels, say, to write a novel for you.
The user of the AI benefits from the work and talent of the authors with little effort of their own.
So how about someone who loves to read books wants to become a writer, and uses the plot twists, characters, environments, writing style of books they already read.
Does that fall under copyright?
Depends on how close it is… But at least they are doing the effort of writing vs merely coming up with prompts for the AI.
How is that the implication?
Inspiration is something we do through conscious experience. Just because some statistical analysis of a word cloud can produce sentences that trick a casual observer into thinking a person wrote them doesn’t make it a creative process.
In fact, I can prove to you that (so-called) AI can never be creative.
To get an AI to do anything, we have to establish a goal to measure against. You have to quantify it.
If you tell a human being “this is what it means to be creative; we have an objective measure of it”, do you know what they tend to do? They say “fuck your definition” and try to make something that breaks the rules in an interesting way. That’s the entire history of art.
You can even see that playing out with respect to AI. Artists going “You say AI art can’t be art, so I’m gonna enter AI pieces and see if you can even tell.”
That’s a creative act. But it’s not creative because of what the AI is doing. Much like Duchamp’s urinal wasn’t a creative object, but the act of signing it R Mutt and submitting it to a show was.
The kinds of AIs we design right now will never have a transformative R Mutt moment, because they are fundamentally bounded by their training. They would have to be trained to use novel input to dismantle and question their training (and have that change stick around), but even that training would then become another method of imitation that they could not escape. They can’t question quantification itself, because they are just quantitative processes — nothing more than word calculators.
Those rules or objectives exist for human artists too. They’re just liquid, and human artists try to break them, or test the limits of stated rules to find the edges of the envelope of what counts as art. And more often than not (95% according to Theodore Sturgeon) they fail to sell, which could be from exceeding the boundaries of the expected art threshold, or just by doing it poorly.
Now you could argue (and I think you might be arguing) that creative acts or inspiration are both properties of personhood: That which we regard as a person can do art. If it’s done by nature, by a non-person animal (e.g. the Monkey Selfie) or by a mechanical process doesn’t count as a creative act, as inspiration, or as art. I get it, just as someone who uses a toaster to warm up pop-tarts is not regarded as actually cooking. That said:
a) you’d have to make that assertion by fiat. And your definition doesn’t count for anyone else, unless you pass a law or convince art-defining social groups to adhere to your definitions.
b) Capitalist interests don’t care. If it’s cheaper to make AI design their website or edit their film, and it does an adequate job cheaper than hiring an artist, they’re going to do it. Even if we make it illegal to use some works to train AI, that won’t stop it from leaking through via information technology services that scrape webs. Similarly ALPR companies, which use traffic cameras to track you in your car to determine your driving habits then sell that information to law enforcement who are totally violating your fourth-amendment rights when they do it, but it doesn’t stop them, and that information is used in court to secure convictions.
c) It’s not artists that control intellectual property, but publishing companies, and they’ve already been looking to churn out content as product the results of which we’ve seen in most blockbuster cinema offerings. The question is not if Fast & Furious XXIII is art but if people will pay to watch it. And IP law has been so long rotted to deny the public a robust public domain, we can expect they’ll lobby our representatives until they can still copyright content that is awash with AI elements.
Ultimately the problem is also not whether artist get paid for their work doing art. It’s that the most of us are desperate to get paid for anything and so it’s a right privilege when that anything is doing something arty. The strikes, the lawsuits, these are survival precarity talking. If we didn’t have to worry about that (say in an alternate reality where we had a robust UBI program) AI replacing artists would be a non-issue. People would continue to create for the sake of creation as we saw during the epidemic lockdown of 2020 and the consequential Great Resignation.
Generative AI is not at the magical level that managers and OG artists and capitalists thing it is, but short of war, a food crisis or our servers getting overrun by compound foul weather, it’s going to get better and eventually AI will outpace Theodore Sturgeon’s threshold of quality material to crap. This isn’t what is going to confine human-crafted content to the fan-art section. It’s that our shareholder-primacy-minded capitalist masters are looking to replace anyone they pay with a cheaper robot, and will at first opportunity. That’s the problem we have to face right now.
I’m not the same person as @snooggums@kbin.social, but it did look like they were replying on my behalf, so I understand the assumption. No worries there.
I agree with what you’re saying.
I would just wanna clarify that you’re primarily talking about “art as a marketable commodity” and the societal problems with how that interacts with AI development, where I was talking primarily about “art as a cultural message” and the fundamental inability of AI to cross the threshold from “art as a product” to “art as a message” because the model itself has nothing to message about. (With the caveat that a person may use the AI’s product as a message, but then the meaning comes from the person, not the AI.) I think we agree with each other here.
Btw, and you probably already know this, Cory Doctorow has some really sharp insights and recommendations when it comes to the past, present, and future of IP law and how we might be able to protect creators going forward.
I do wanna respond to something that wasn’t really directed at me, just cuz it overlaps with my original comment and I think it’s kind of interesting:
Again, you can say by fiat an AI has the personhood of a toaster, but that doesn’t make the content it creates less quality or less real. And given in the past how often we’ve disparaged art for being made by women, by non-whites, by Jews, we as a social collective have demonstrated our opinion is easily biased to arbitrarily favor those sources we like.
You’re not going to find any way to objectively justify including only human beings as qualified to make art.
You’re right that, without an objective measure of what counts as an artistic endeavor, we’re permitted to be as discriminatory as we feel like being. Which seems… not great, right?
But I don’t think you ever can make an objective measure of what counts as art, because art is like the observable physical effect of something that’s going on in our consciousness – an immaterial world that can’t directly map 1:1 with the physical world.
So I think art is always destined to be this amorphous thing that you can’t exactly pin down. It’s maybe more of a verb than a noun. Like I can’t look at an inert object sitting on a table and figure out that it’s art. But if someone tells me that this is the last sculpture their aunt made before she died and she started it when she felt fine, but by the end she could barely hold her hands still, and she never finished it… Well, suddenly I catch a glimpse of the conscious experience of that person. And it’s not that her conscious experience was baked into the object, but that I can imagine being in her place and I can feel the frustration of the half-finished angles and the resignation of staring at it after touching it for the last time.
Yes, there is a real history of people saying “Those savages aren’t conscious”, or that they are technically conscious but a “lower” kind of consciousness. And I know it makes us uncomfortable to think we might do that again, and so I think some of us have developed a reflex to say we need to make an objective rational view of the world so that human subjectivity doesn’t come into it and poison things… But I don’t think it’s possible, as long as the nature of consciousness remains a mystery to us.
And I also think if we do come to agree on a rationalist framework for living, we will have lost something. Once you have rules and measures, there’s no room for… well, for lack of a better word, “soul”. I’m an atheist, but I’m also conscious. And I don’t think that the totality of my conscious experience is somehow quantifiable, or especially that if we could replay those exact quantities then it’s just as good as consciousness. Like, I am experiencing something here, and there’s no good reason to think that matter precedes consciousness and not the other way around.
I’m rambling now, but you get what I mean?
Ultimately the problem is also not whether artist get paid for their work doing art. It’s that the most of us are desperate to get paid for anything and so it’s a right privilege when that anything is doing something arty. The strikes, the lawsuits, these are survival precarity talking. If we didn’t have to worry about that (say in an alternate reality where we had a robust UBI program) AI replacing artists would be a non-issue. People would continue to create for the sake of creation as we saw during the epidemic lockdown of 2020 and the consequential Great Resignation.
This is a perfect framing for this discussion. I think people are pissed that AI disrupts this economic model of compensating creators, but the problem isn’t AI it’s the economic model.
I think this is also the conversation people like Altman were hoping to have around AI (sorry if that’s too much benefit of the doubt for him), I think enthusiasts hope AI can help transition us to a more equitable economy. People are (rightly) concerned that instead of bringing about economic change, AI will further consolidate economic forces and make life even more miserable for everyone. Throwing copyright law at the problem to me seems like a desperate attempt to keep the boat afloat.
I am saying AI won’t have biological living experiences, only abstract concepts of biological living experiences that are fed into it.
You are reading way more into my point than my actual point. Another way of saying it is that we can try to understand a dog and explain why dogs do what they do, but we are not actual dogs and cannot use the actual experience of being a dog when creating art. Or how someone will never know the exact experience of someone of a other race even though they can understand the concepts of differences. Experience is different than understanding an abstract.
Firstly, @snooggums@kbin.social = @kibiz0r@midwest.social ? I was responding to the latter, so when you say I am saying (implicit format, to clarify, when I said X, I was [meaning to say] Y. ) I don’t know which part of what reply fulfills X, unless you just mean to be emphatic. (e.g. He’s mad! Mad, I tell you! ) So my thread context is lost.
Secondly the AI’s lack of human experience seems irrelevant. Human artists commonly guess at what dogs think / feel, what it is to be a racial minority, another sex or whatever it is to not be themselves. And we’re not great at it. AI, guessing at what it is to be human doesn’t have a high bar to overcome. We depend on abstracts and third-party information all the time to create empathizable characters.
For that matter, among those empathizable characters, synthetic beings are included. The whole point of Blade Runner 2049 is that everyone, synthetic or otherwise, is valid, is deserving of personhood.
Again, you can say by fiat an AI has the personhood of a toaster, but that doesn’t make the content it creates less quality or less real. And given in the past how often we’ve disparaged art for being made by women, by non-whites, by Jews, we as a social collective have demonstrated our opinion is easily biased to arbitrarily favor those sources we like.
You’re not going to find any way to objectively justify including only human beings as qualified to make art.
Well, I am not saying that only humans can make art. I think a lot of other animals are fully capable of making art, even if we frequently call it instinct. Hell, bird mating rituals are better displays of physical dancing than humans in a lot of cases!
I am saying what we currently call AI, which is just mismashing existing art and not creating anything new or with any kind of complex emotions, will make technical art that has no depth or background that is commonly associated with art.
I really wish you lot would educate yourself on AI and the history of AI creativity and art before convincing yourself you know what you’re talking about snd giving everyone your Hot Take.
Can you elaborate? “AI and the history of AI creativity and art” is a pretty broad scope, so I’m sure I have some massive blind spots within it, and I’d love some links or summaries of the areas I might be missing.
Generative AI training is not the same thing as human inspiration. And transformative work has this far has only been performed by a human. Not by a machine used by a human.
Clearly using a machine that simply duplicates a work to resell runs afoul of copyright.
What about using a machine that slightly rewords that work? Is that still allowed? Or a machine that does a fairly significant rewording? What if it sort of does a mashup of two works? Or a mashup of a dozen? Or of a thousand?
Under what conditions does it become ok to feed a machine with someone’s art (without their permission) and sell the resulting output?
That’s the point, it’s almost a ship of Theseus situation.
At what point does the work become its own compared to a copy? How much variation is required? How many works are needed for sampling before its designing information based on large scale sentence structures instead of just copying exactly what it’s reading?
Legislation can’t occur until a benchmark is reached or we just say wholesale that AI is copyright infringement based purely on its existence and training.
The difference is that you’re trying to sue someone based on what could happen. That’s like sueing some random author because they read your book and could potentially make a story that would be a copy of it.
LLM’s are trained on writings in the language and understand how to structure sentences based on their training data. Do AI models plagiarize anymore than someone using their understanding of the English language is plagiarizing when they construct a brand new sentence? After all, we learn how to write by reading the language and learning the rules, is the training data we read when we were kids being infringed whenever we write about similar topics?
When someone uses AI to plagiarize you sue them into eternity for all I care, but no one seems concerned with the implications of trying to a sue someone/something because they trained an intelligence by letting it read publicly available written works. Reading and learning isn’t allowed because you could maybe one day possibly use that information to break copyright law.
I see this more like suing a musician for using a sample of your recording or a certain amount of notes or lyrics from your song without your consent. The musician created a new work but it was based on your previous songs. I’m sure if a publisher asked ChatGBT to produce a GRRM-like novel, it would create a plagiarism-lite mash up of his works that were used as writing samples, using pieces of his plots and characters, maybe even quoting directly. Sampling GRRM’s writing, in other words.
Except doing all of that is perfectly legal. With music it’s called a remix or a cover. With stories it’s called fanfic.
If the AI is exactly replicating an artists works then that is copyright infringment without a doubt. But the AI isn’t doing that and it likely isn’t even capable of doing that.
But wouldn’t the person who made the remix/cover or fanfic have to pay if they made money off of their work? Don’t they need permission of the writer to sell that work? That is what I have always known, unless the original work is in the public domain. I’m not talking about someone creating an inspired work for their own private or not for sale use - in my example I was talking about a publishing company creating a work for sale.
Nope. Those are all transformative works and are fair use. The remix, cover, or fanfic are all considered new works as far as copyright is concerned and the writer of them can do whatever they want with them including sell them. People get their fanfics published all the time they just usually don’t sell well. People make covers of songs and sell them all the time. I can think of several youtube channels that only do exactly that. Anyone can just go record themselves playing Wonderwall and try to sell it because them playing that song is a unique work. I think trademarked stuff is more restricted on what you can do with it but I’m not sure on that.
AI is also even more limited in regards to transformative works than humans because you can’t copyright the direct output of an AI. So if, for example, you made an AI output a cover of a song you could still do whatever you want with it but you couldn’t own the rights to it. Anyone else could also take it and profit off of it. The only way to copyright AI output is to create a transformative work based on that output. You can use the AI output to create a new work but you can’t just call the AI output your work. In my opinion that’s exactly where the law should be. You can use AI as a creative tool but you can’t just have one generate every possible picture of something and copyright them all.
Suing anyone for copyright infringement based on current infringement always includes justification that includes current and future potential losses. You don’t get paid for the potential losses, but they are still justification for them to stop infringing right now.
There is no current infringement unless they’ve discovered some knockoff series that was created with AI and is being used for profit. That’s what I’m saying.
The copyright holders did not give OpenAI permission to copy their text into OpenAI, whether as direct text or an abstracted copy of the text, for commercial purposes.
That isn’t infringement. Any more than transformative work is.
deleted by creator
Do AI models plagiarize anymore than someone using their understanding of the English language is plagiarizing when they construct a brand new sentence?
Yes
Damn, debate over I guess.
deleted by creator
Safety regulations are created by regulatory agencies empowered by Congress, not private parties suing each other over hypotheticals.
It was a comparison about preventing future issues, not a literally equivalent legal situation.
The difference is that, to sue someone, you have to demonstrate that they were acting outside of existing laws and caused you real harm. Case law was never intended to proactively address hypothetical future scenarios—that’s what lawmakers and regulators are for.
In this case they are suing based on current copyright infringement by OpenAI, with the justification of predicable outcomes. Like how you can sue someone who is violating zoning ordinances and using predictable negative outcomes based on similar cases to justify the urgency of making them stop now instead of just trying to get money back when things get even worse.
Because that is far harder to prove than showing OpenAI used his IP without permission.
In my opinion, it should not be allowed to train a generative model on data without permission of the rights holder. So at the very least, OpenAI should publish (references to) the training data they used so far, and probably restrict the dataset to public domain–and opt-in works for future models.
I don’t see why they (authors/copyright holders) have any right to prevent use of their product beyond purchasing. If I legally own a copy of Game of Thrones, I should be able to do whatever the crap I want with it.
And basically, I can. I can quote parts of it, I can give it to a friend to read, I can rip out a page and tape it to the wall, I can teach my kid how to read with it.
Why should I not be allowed to train my AI with it? Why do you think it’s unethical?
Next if you come up with some ideas of your own fantasy environment after watching game of thrones, they’ll want to chase you down considering they didn’t give you expressed permission to be “inspired” by their work 🙄
Its amazing how many people are against overly restrictive copyright rules that hamper creativity… until it involves AI.
And basically, I can. I can quote parts of it, I can give it to a friend to read, I can rip out a page and tape it to the wall, I can teach my kid how to read with it.
These are things you’re allowed to do with your copy of the book. But you are not allowed to, for example create a copy of it and give that to a friend, create a play or a movie out of it. You don’t own the story, you own a copy of it on a specific medium.
As to why it’s unethical, see my comment here.
I agree, the ownership is not absolute.
However, just as a person does not own the work of an author, the authors do not own words, grammar, sentences or even their own style. Similarly, they do not own the names of the characters in their books or the universe in which the plot is happening. They even do not “own” their own name.
So the only question remaining becomes whether is AI allowed to “read” a book. In the future authors might prohibit it, but hey, we’re just going to end up with a slightly more archaic-speaking GPT over time because it will not train on new releases. And that’s fine by me.
I think that in the end it should be a matter of licenseship (?). The author might give you the right to train a model on it, if you pay them for it. Just like you’d have get permission if you want to turn their work into a play or a show.
I don’t think the argument (not yours, but often seen in discussions like these) about “humans can be inspired by a work, so a computer should be allowed to be as well” holds any ground. For it would take a human much more time to make a style their own, as well as to recreate large amounts of it. For a ai model the same is a matter of minutes and seconds, respectively. So any comparison is moot, imho.
But the thing is, it’s not similar to turning their work into a play or a TV show. You aren’t replicating their story at all, they put words in a logical order and you are using that to teach the AI what the next word logically could be.
As for humans taking much more time to properly mimic style, of course that’s true (assuming untrained). But an AI requires far more memory and data to do that. A human can replicate a style with just examples of that style given time. An AI needs to scrape basically the entire internet (and label it, which takes quite some time) to be able to do so. They may need different things but it’s ridiculous to say that they’re completely incomparable. Besides, you make it sound like AI is it’s own entity that wasn’t created, trained, and used by humans in the first place.
It’s not the same as turning it into a play, but it’s doing something with it beyond its intended purpose, specifically with the intention to produce derivatives of it at an enormous scale.
Whether or not a computer needs more or less of it than a human is not a factor, in my opinion. Actually, the fact that more input is required than for a human only makes it worse, since more of the creators work has to be used without their permission.
Again, the reason why I think it’s incomparable is that when a human learns to do this, the damage is relatively limited. Even the best writer can only produce so many pages per day. But when a model learns to do it, the ability to apply it is effectively unlimited. The scale of the infraction is so exponentially more extreme, that I don’t think it’s reasonable to compare them.
Lastly, if I made it sound like that, I apologise, that was not my intention. I don’t think it’s the models fault, but the people who decided to (directly or indirectly by not vetting their input data) take somebody’s copyrighted work and train an LLM on it.
Ownership is never absolute. Just like with music - you are not allowed to use it commercially i.e. in your restaurant, club, beauty salon, etc. without paying extra. You are also not allowed to do the same with books - for example, you shouldn’t share scans online, although it’s “your” book.
However, it is not clear how AI infringes on the rights of authors in this case. Because a human may read a book and produce a similar book in the same style legally.
Assuming that books used for GPT training were indeed purchased, not pirated, and since “AI training” was not prohibited at the time of the purchase, the engineers had every right to use them. Maybe authors in the future could prohibit “AI training” but for the books purchased before they do, “AI training” is a fair usage.
I think we’ll find our whether or not that is true will be decided in a trial like this.
Okay, the problem is there are only about three companies with either enough data or enough money to buy it. Any open source or small time AI model is completely dead in the water. Since our economy is quickly moving towards being AI driven, it would basically guarantee our economy is completely owned by a handful of companies like Getty Images.
Any artist with less weight than GRR and Taylor Swift is still screwed, they might get a peanut or two at most.
I’d rather get an explosion of culture, even if it mean GRR doesn’t get a last fat paycheck and Hollywood loses control of its monopoly.
I get it. I download movies without paying for it too. It’s super convenient, and much cheaper than doing it the right thing.
But I don’t pretend it’s ethical. And I certainly don’t charge other people money to benefit from it.
Either there are plenty of people who are fine with their work being used for AI purposes (especially in a open source model), or they don’t agree to it - in which case it would be unethical to do so.
Just because something is practical, doesn’t mean it’s right.
There’s so much more at stake, it’s not remotely the same as pirating. AI is poised to take over any kind of job that requires only a computer and a telephone. I’d rather have robust open source options that a handful of companies exerting a subscription tax on half the economy.
Any overt legislation will only hurt us the consumer while 99.9% of the actual artists and contributers won’t see any benefit whatsoever.
Short of aggressively nationalizing any kind of AI endeavour, making it as free and accessible as possible is the best option imo.
We could get Elon musk to develop a corpus and train all AI on that instead of training AI on a corpus from scraping websites.
Elon can’t develop shit.
I mean this isn’t miles away from what the writer’s strike is about. Certainly I think the technology is great but after the last round of tech companies turning out to be fuckwits (Facebook, Google etc) it’s only natural that people are going to want to make sure this stuff is properly regulated and run fairly (not at the expense of human creatives).
As it stands now, I actually think it is miles away.
Studio’s were raking in huge profits from digital residuals that weren’t being passed to creatives, but AI models aren’t currently paying copyright holders anything. If they suddenly did start paying publishers for use, it would almost certainly exclude payment to the actual creatives.
I’d also point out that LLM’s aren’t like digital distribution models because LLM’s aren’t distributing copyrighted works, at best you can say they’re distributing a very lossy (to use someone else’s term) compressed alternative that has to be pieced back together manually if you really wanted to extract it.
No argument that AI should be properly regulated, but I don’t think copyright is the right framework to be doing it.
If the models trained on pirated works were available as a non-profit sort of setup with any commercial application being banned I think that would be fine.
Business owners salivating over the idea that they can just pocket the money writers and artists would make is not exactly a good use of tech.
Copyright law in general is out of date and needs updating it’s not just AI that’s the problem that’s just the biggest new thing. But content creators of traditional media have been railing against what they perceive as copyright violation for ages.
Look at Nintendo and Let’s Plays.
The law is the problem here. Not AI.
Copyright law has been such a disaster for so long, while clearly being wielded like a blunt weapon by corporations. I can see the existential threat that generative AI can pose to creators if it becomes good enough. And I also am aware that my dream of asking an AI to make a buddy cop adventure where Batman and Deadpool accidentally bust into the Disney universe, or remake the final season of Game of Thrones, is never gonna be allowed, but there’s honestly a huge amount of potential for people to get the entertainment they want.
At any rate, it seems likely that they’re going to try and neuter generative AI with restrictions, despite it really not being the issue at hand.
Disappointed to see John Grisham on the list.
I’ve expressed my opinions on this before which wasn’t popular, but I think this case is going to get thrown out. Authors Guild, Inc. v. Google, Inc. has established the precedent that digitalization of copyrighted work is considered fair use, and finetuning an LLM even more so, because LLMs ultimately can be thought of as storing text data in a very, very lossy comprssion algorithm, and you can’t exactly copyright JPEG noise.
And I don’t think many of the writers or studio people actually tried to use ChatGPT to do creative writing, and so they think it magically outputs perfect scripts just by telling it to write a script: the reality is if you give it a simple prompt, it generates the blandest, most uninspired, badly paced textural garbage imaginable (LLMs are also really terrible at jokes), and you have to spend so much time prompt engineering just to get it to write something passable that it’s often easier just to write it yourself.
So, the current law on it is fine I think, that pure AI generated contents are uncopyright-able, and NOBODY can make money off them without significant human contribution.
he reality is if you give it a simple prompt, it generates the blandest, most uninspired, badly paced textural garbage imaginable
Which is not too far from the typical sequel quality coming out of hollywood at the moment ;-)
Well, nobody really wants to ever put their name on something they’re not proud of, right?
But when the goals is to churn out as much “content” as fast as possible to fill out streaming services on impossible deadlines on threat of unemployment for writers, of course writing quality will suffer.
Unhappy, overworked and underpaid people will understandably deliver poor work, which is why the strike is necessary for things to change.
This will definitely change though. As LLMs get better and develop new emergent properties, the gap between a human written story and an ai generated one will inevitably diminish.
Of course you will still need to provide a detailed and concrete input, so that the model can provide you with the most accurate result.
I feel like many people subscribe to a sort of human superiority complex, that is unjustified and which will quite certainly get stomped in the coming decades.
That is definitely not inevitable. It could very well be that we reach a point of diminishing returns soon. I’m not convinced, that the simplistic construction of current generation machine learning can go much further than it already has without significant changes in strategy.
Could be, but the chances of that happening are next to zero and it’d be foolish to assume this is the peak.
When the movie about the nerds behind these apps comes out, this will be the part of the movie trailer where Jesse Eisenberg looks nervous and says he’s being sued for over a billion dollars.
And if AI writes it Walter White will appear and announce the need to cook. Then they’ll all melt for no reason.
It’s hard to cook as an AI character when you have eight fingers and they are all fused together.
it was at this moment walter white became a transformer
And then Walter cooks a delicious spaghetti.
I’m still not convinced that Jesse Eisenberg and Sam Altman aren’t actually the same person.
To be the devil’s advocate (or GRRM’s attorney), I see the merit of his and other authors’ concerns. Chat GPT makes it feasible to generate short stories in their world and with their characters, which can easily replace their licensed products. This is not just their main work, but also other products that generates them some revenue stream.
Example: A friend of mine is using Chat GPT to generate short bedtime stories for his daughters. A typical request is something like this: “Please write a five paragraph story where Elsa from Frozen meets Santa Claus. Together, they fly in Santa’s sleigh over the world, and Elsa is magicking snow on all Christmas trees.” Normally, you’d buy a Disney-licensed book of short Christmas stories (I have one for my kids), but Chat GPT is more flexible and free.
Same goes for GRRM. He doesn’t write Children stories, but one can still prompt Chat GPT to produce stories from the universe, which scratch the ASOIAF itch. This substitutes the officially licensed products and deprives the author of additional revenue stream. Just for the fun of it, I prompted Chat GPT: “Hello GPT-3.5. Please write a four paragraph story set in the Game of Thrones universe. In this story, Jon Snow and Tyrion Lannister go fishing and catch a monster alligator, which then attacks them.” It produces a surprisingly readable story, and if I were a fan of this universe, I can imagine myself spending a lot of time with different prompts and then reading the results.
(On a side note,AI-generated content already has at least one group of victims: the authors of short fiction. Magazines like Clarkesworld were forced to close submissions of new stories, as they became overwhelmed with AI-generated content.)
Couple things:
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i don’t see why ChatGPT would be at fault itself here. Taking the rest of your argument as granted, Chat GPT is more like a tool or service that provides “snippets” or previews, such as a Google image search or YouTube clips or summaries. The items being produced are of a fundamentally different quality and quantity and cannot really be used to copy a work wholesale. If someone is dedicated enough to price together a complete story, I would think their role in producing it is more important than the use of ChatGPT
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copywrite law itself is broken and too broad as it is, I don’t think we should be stretching it even further to protect against personal use of AI tools. An argument can be made if an individual uses ChatGPT to produce a work which is then commercialized (just like any other derivative work), but the use of the tool by itself seems like a ridiculously low bar that benefits basically no one
You are right, especially regarding the copyright law. My argument here, however, was the same argument as companies are using against non-genuine spare parts or 3D printing (even though the latter seems to be a lost battle): people who are able to generate substitutes based on the company’s designs (you can say their IP) are eating into their aftermarket profits. That’s not even taking into account planned obsolescence (my kids toys are prime examples) or add-ons to products (I printed my own bracket for my Ring doorbell). With AI, I don’t need to buy short story books for my kids to read; I’ll generate my own until they are old enough to use Chat GPT themselves.
Yea, I mean I get why automated tools are bad for companies, I just don’t have any sympathy for them, nor do I think we should be stretching our laws beyond their intent to protect them from competition. I think the fair-use exceptions for the DMCA (such as for breaking digital copy-protection for personal use) are comparable here. Under those exceptions for example, it’s considered fair use to rip a DVD into a digital file as long as it’s for personal use. An IP holder could argue that practice “eats into their potential future profits” for individuals who may want a digital version of a media product, but it’s still protected. In that case, the value to the consumer is prioritized over a companies dubious copyright claim.
In my mind, a ChatGPT short story is not a true alternative to an original creative work (an individual can’t use GPT to read ASOIAF, only derivative short stories), and the work that GPT CAN produce are somewhat valueless to an individual who hasn’t already read the original. Only if they were to take those short stories and distribute them (i.e. someone ripping a DVD and sharing that file with friends and family) could ‘damages’ really be assumed.
I think the outcome of these lawsuits can help inform what we should do, also: LLMs as a tool will not go away at this point, so the biggest outcome of this kind of litigation would be the inflation of cost in producing an LLM and inflation of the value of the “data” necessary to train it. This locks out future competitors and preemptively consolidates the market into established hands (twitter, reddit, facebook, and google already “own” the data their users have signed over to them in their TOS). Now is the time to rethink copyright and creative compensation models, not double-down on our current system.
I really hope the judges overseeing these cases can see the implications here.
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The thing is you can tell an AI to make a story like grrm and the AI doesn’t even have to read grrm. This is a losing battle.
How will it know what grrm is if it hasn’t read the book or is aware of the content? Pretty sure it does need to read the book in order to generate content similar to the authors style.
Right, but would that be pursued if a human did the same thing? Because there’s a vast amount of fanfiction churned out by human hands, and it’s safe as long as they don’t try to monetize it. Seems like most of the fear is the existential threat that it might suddenly begin writing good stories, and destabilize the entire writing industry as people can just ask for exactly the sort of story they want. For free. (But not actually, because corporations will own all the AI and data).
A human isn’t a product for use by other humans. It’s not the same.
Well, I mean we kinda are, capitalism and all that. There are thousands of authors of Patreon, Kofi, and the like that you can pay to write you the fanfiction you want. Further, if you don’t know the provenance of a fanfic, how do you tell which ones are the copyright violation? The only way to do so is if you have records of its birth, especially as generative AI improves.
I’m not blind to the plight of creators here, but isn’t the issue that a machine can, in theory, out compete the authors at their own style? If a random human can write Stephen King’s style better than Stephen King, it’s forgiven because that took time, effort, and talent, where a machine doing it alarms us. No author has ever been sued because they read a book and were influenced in their writing, unless they outright plagiarized without attributing. I just think that there needs to be a significant frame shift, since artificially limiting generative AI to protect the current business model instead of allowing it to reshape how people produce and consume media isn’t realistic. The issue is figuring out how creators are still compensated for their work.
People are already building small generative AI projects, so there’s no containing it, and it’s only going to grow.
“LLMs allow anyone to generate — automatically and freely (or very cheaply) — text that they would otherwise pay writers to create” My heart bleeds for them 🙄
That new technology is going to make it harder for us to earn income. As if automation and other improvements over the years hasn’t diminished other positions and they should somehow be protected at the cost of improvements for everyone as a whole
Do any of these authors use a word processor? Because that would be displacing the job of a skilled typist.
Technological progress is disruptive and largely unavoidable. Loosing your livelihood to a machine isn’t fun, I don’t dispute that. But the fact of that didn’t stop the industrial revolution, the automobile, the internet, or many other technological shifts. Those who embraced them reaped a lot benefits however.
Technology is also often unpredictable. The AI hype train should not be taken at face value, and at this point we can’t say if generative AI systems will ever really “replace” human artistry at all, especially at the highest of levels. But technology such as LLMs do not have reach that level to still be useful for other applications, and if the tech is killed on unfounded fear mongering we could loose all of it.
Also they’re not going to lose their livelihoods. They might lose a little bit of money, but honestly even that I doubt.
We are still going to need humans to create creative works and as much as Hollywood reckons they’re going to replace actors with AI. They’re still going to need humans to write the scripts unless they can convince everyone that formulaic predictable nonsense is the new hotness.
Creative works is probably the only industry that will ultimately actually be safe from the AI, not because AI can’t be creative, but because humans want humans to be creative. We put special value on human created works. That’s why people object to AI art so much, not because it isn’t good but because it lacks, for one of a better word, any soul.
They’re not saying LLMs are bad, they’re LLMs trained on copyrighted works are.
What’s the alternative? Only mega billion corporations and pirates should be allowed to train AI? See how much worse that is?
I never said my opinion on the topic.
I never implied you did. I’m commenting on the flaws of their reasoning which clearly indicates that its a whole lot of grift.
I fail to see how training an LLM in any way discourages authors from producing or distributing new works, which is ostensibly the intent of copyright law.
“Those fancy robots will allow anyone to create — automatically and freely (or very cheaply) — cars that they would otherwise pay mechanics to create”
Oh the horror
Julia was twenty-six years old… and she worked, as he had guessed, on the novel-writing machines in the Fiction Department. She enjoyed her work, which consisted chiefly in running and servicing a powerful but tricky electric motor… She could describe the whole process of composing a novel, from the general directive issued by the Planning Committee down to the final touching-up by the Rewrite Squad. But she was not interested in the final product. She “didn’t much care for reading,” she said. Books were just a commodity that had to be produced, like jam or bootlaces.
Ok I’ve been seeing these headlines for over a year now… any update on literally any of these suits?
When G.R.R. Martin is involved, you are going to have to wait a long time to learn how the thing ended.
Well, as far as the show is concerned, we learned the ending rather quickly. Some would say disappointingly quickly.
Fuck D+D
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Considering the author of berserk literally died before finishing his manga that is going on for 25+ years, I’d say they both are fighting for second place.
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Third place, maybe. First place belongs to the Epic of Gilgamesh, who published a chapter after a hiatus of more than four millennia.
lmao
Come on, everyone jump on the grift boat! ⛴️
Seriously. The intent behind copyright, which no one disputes, is that you should not be able to make a copy of someone else’s work that dilutes the value of their work to the point where anybody chooses to use the diluted version instead of the original.
Where in AI can it be even REMOTELY shown that someone is using an AI product where they otherwise before AI would have been inclined to purchase the original novel instead?
Copyright abuse has been a problem for years but because the big players are the ones doing the abuse no one wants to fix it.
Same for patent trolls.
I don’t want AI trained on pirated works ‘found’ by scrubbing the entire internet.
This is the best summary I could come up with:
According to the complaint, OpenAI “copied plaintiffs’ works wholesale, without permission or consideration” and fed the copyrighted materials into large language models.
The authors added that OpenAI’s LLMs could result in derivative work “that is based on, mimics, summarizes, or paraphrases” their books, which could harm their market.
OpenAI, the complaint said, could have trained GPT on works in the public domain instead of pulling in copyrighted material without paying a licensing fee.
This is the latest lawsuit against OpenAI from popular authors — Martin wrote Game of Thrones, Grisham’s many books have been turned into films, and so on — alleging copyright infringement.
Amazing Adventures of Kavalier and Clay writer Michael Chabon and others sued the company for using their books to train GPT earlier in September.
Comedian Sarah Silverman and authors Christopher Golden and Richard Kadrey also sought legal action against OpenAI and Meta, while Paul Tremblay and Mona Awad filed their complaint in June.
The original article contains 323 words, the summary contains 157 words. Saved 51%. I’m a bot and I’m open source!
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